Fringe benefits

Waller Creek, the largest urban stream in the country, snakes from the northern part of Austin southward, through the University of Texas campus, along downtown, before emptying into Lady Bird Lake. With a new conservancy set up in its honor, Waller Creek is getting a full makeover (or makeunder, as preservation is the point). To test creative interventions, Austin artist/designer/builder Jack Sanders led a pop-up adventure picnic a year ago in Palm Park, a community art-raising that installed massive accordion rings around a campfire and this tree. Sanders regularly stages such happenings through his company Design Build Adventure, a program of camps and workshops for people interested in collaboratively exploring new perspectives on the built environment (the 4-day workshop in Marfa, TX is calling me). Channeling the play inherent in this project, I couldn't resist pairing the tree skirt with its sartorial twin: a fleece dress with hand-woven flare by Hungarian line Nanushka. Fringe for all.

Quirky equus

An Olaf encore. In researching Clouds, I learned of Breuning’s simultaneous installation for Hermès in the Shibuya Seibu district of Tokyo. Channeling a parallel strain of whimsy, he took Hermès’ equestrian aesthetic to a playful place, fashioning makeshift steeds by draping sheets over indistinguishable structures (Den furniture? Kitchen chairs?). By Breuning’s hand, the brand's venerable horse-drawn carriage becomes rudimentary: four wheels,  thin platform. The bling is in his bold palette; his horses' hairs are loud – canary, cobalt, teal, tangerine – and their googly eyes are fixed on the sidewalk, inviting further rifts on luxury goods and lifestyle. These Céline cuffs seem similarly self-deprecating in their folded forms, at once tactile and tattered and totally perfect.